Celebrating Chaplin

Life in Teaching: Diana Cummings

Life in Teaching: Stefan Popov

Life in Teaching: Thomas Martin

Mad for it

New Year, new mission

Primary benefits

Inspired by Szigeti

Getting to know Szigeti

Mission possible

My week with Simon Rattle

How to write a great press release

Getting my fix at half past six

17 reasons to love amateur musicians

Can string quartets save the world?

Good content is forever

Pictures, please!

Happy Birthday, Ivry Gitlis!

The win–win of music education

Birth of a salesman

Itzhak Perlman on his violin heroes

Review of Alexey Stadler Prom

Gilles Apap: ‘Don’t listen to nobody’

11 important musical insights

Review of Beethoven for a Later Age

Bye Bye, Bellowhead

20 great violinists

When classical music marketing copy goes wrong

Interview with violinist Regina Carter

A musical tonic for the soul

Jacqueline du Pré – a terrible premonition

Careless talk costs lives

Top 5 Elbow Music posts of 2015

11 important musical insights

‘You have to treat Bartók as you do Mozart or Haydn’

Pinchas Zukerman on how to change the world

Joshua Bell on Josef Gingold

George Eliot on violin-making obsession and the genius of Stradivarius

The Freewheelin’ Yo-Yo Ma

View from the viola front desk

We’re all misfit weirdos now

Thomas Demenga: ‘Sometimes I think we’re producing too many musicians at conservatoires’

What do actors and musicians have in common?

How to be present

John Woolrich: ‘Contemporary music is no different from Brahms’

No prize given at Fournier Award

The curse of perfection

Violin Utopia in Oberlin

The art of listening

Barry Douglas on the pressures and benefits of competitions