Should classical players cross over?
While I’ve been researching my article on violinists who’ve crossed musical borderlines, for Sinfini Music, I found myself debating with myself (a bad habit). What gives violin stars the right to pick up another genre? Of course there’s no such thing as rights when it comes to music, but there is a certain sense of appropriateness (or appropriation). I wouldn’t go on stage at the Festival Hall and play the Tchaikovsky Violin Concerto if I didn’t have complete control of the n